Bunny Hops to F-Stops: 1st Place - 3rd Grade

May 12, 2008 – 8:45 pm


Bike Rodeo 1979, 1st Place - 3rd Grade — by Joe Reifer

My entry for Amy Stein’s Bunny Hops to F-Stops project.

Orphan Works, Nocturnes, Franken, Vest, LCDs, Archibald, Watson

May 11, 2008 – 10:01 pm


Wilderness — by Joe Reifer

The Photobook: A History

May 9, 2008 – 7:47 am


What is my name? — by Joe Reifer

I was thinking about taking the Photographic Book Publishing workshop taught by Darius Himes this Summer, but the timing isn’t going to work out. Darius has an interesting blog, which lead me to his article Who Cares About Books? I’d read another article by Darius in photo-eye magazine that referenced Martin Parr and Gerry Badger’s The Photobook: A History, Vol. 1. Darius again speaks glowingly of The Photobook in his recent article. So I went down to my local library and checked it out.

Two things. Thank you Darius! And why didn’t someone tell me about this book before? The Photobook is a veritable Rosetta Stone of photography book designs. I can’t imagine making my own photo book without having read it. I’m going to pick up The Photobook: A History, Vol. 2 next, and then continue on to the Book of 101 Books, The: Seminal Photographic Books of the Twentieth Century if I can find a copy.

Photo Books: How Many Images?

May 5, 2008 – 8:13 pm

I’ve been thinking about putting together a self published night photography book to use as a portfolio and to sell in conjunction with a print offer. One important question that I’ve struggled with is how many images are ideal for a fine art photography book? 20 to 30 prints seems right for a portfolio, and 50-60 images sounded like a good number for a book.

To stimulate some more thinking on the matter, I pulled 10 great photography books from the shelf, and took some notes. I was also interested in the layout, written material, and physical dimensions. But the main purpose was to pick 10 photo books I really dig, and see how many images are included:

  1. Open Range and Parking Lots / Virgil Hancock III. About 53 photos. Author preface. Gregory McNamee essay interspersed with images. 8.5×10.5″
  2. Suburbia / Bill Owens. About 130 photos. Most on facing pages. 1 page intro only. 10.25″ square
  3. Lost America / Troy Paiva. About 125 photos. Most on facing pages. Stan Ridgway forward, author essays interspersed in chapters. 9″ square
  4. Slide Show / Helen Levitt. About 109 photos. Most on facing pages. No captions. Short 1 page forward by John Szarkowski. 9.5×9.0″
  5. The Americans / Robert Frank. About 86 photos. Intro by Jack Kerouac. Captions at end. 9.5×8.5″
  6. Bravo 20 / Richard Misrach. About 35 photos. First 50 pages are the story written by Myriam Weisang Misrach. Mix of single and facing pages. 9×12″
  7. Occupied Territory / Lynne Cohen. About 75 photos. Mostly facing pages. Forward and short essay, and then images. 9×11.5″
  8. American Prospects / Joel Sternfeld. About 53 photos. Short essays at beginning and end. 10×12″
  9. Gone: Photographs of Abandonment on the High Plains / Steve Fitch. About 70 photos. Author essay plus 2 additional essays. Captions at end. 8.5×10.5″
  10. William Eggleston’s Guide. About 48 photos. John Szarkowski essay. Single images with location on facing page. 9.25″ square

Want to help with the research? Go to your bookshelves, pull out one of your favorites, and let me know the title and how many images are included. Thanks!

Pinhole, Bacon, Urbex, Restraint, Pinball, Rock!

May 1, 2008 – 9:26 pm


Downtown SF (pinhole) — by Richard Sintchak

Wildrose Charcoal Kilns, Death Valley

April 28, 2008 – 7:28 am


Wildrose Charcoal Kilns, Death Valley — by Joe Reifer

Death Valley dune sunset

April 24, 2008 – 9:07 pm


Death Valley dune sunset — by Joe Reifer

I’m smashing the soapbox and pressing the eject for awhile.
Maybe I’ll see some of you out there in the real world taking photos.

Angel’s Ladies

April 22, 2008 – 2:19 pm


Angel’s Ladies — by Joe Reifer

12 bedroom, 7 bath roadside property for sale, just North of Beatty, NV

Belmont silver cyanide mill

April 19, 2008 – 10:07 am


Belmont, a 500-ton silver cyanide mill that operated between 1913-1923.
Dates of operation on the Plymouth are unknown.

Lenswork, Pinhole, 1DS III, Releases, Eastman, Mauritania, BMX

April 14, 2008 – 8:44 pm


Make a note of it — by Joe Reifer

  • Just when I was getting burnt on Lenswork, issue #75 arrived featuring Bill Jay’s great portraits and stories about famous photographers, and Larry G. Blackwood somehow making beautiful images of the often cliche´ subject of grain elevators. Only those of you who get the extended version on DVD will get the bonus goods though: fantastic panoramic black and white night photos from Chris Faust’s book Nocturnes (plus an interview), and Robb Kendrick’s cowboy tintypes from the book Still.
  • World Wide Pinhole Day is coming up on Sunday, April 27th — Rayko Photo Center in San Francisco will be hosting free rides on the Bus Obscura “… a passenger bus converted to a multiple aperture camera obscura using a rear projection technique that allows the individual images to flow into one another. As the bus moves down the street a 360 degree animated panorama is created inside.”
  • Dan Heller talks about situations where you need a model release for editorial image usage.
  • Some interesting ruminations on the tricky question, Canon 1DS Mark III vs. medium format digital over on Pebble Place. There’s also an excellent compatibility chart for using Contax lenses on Canon EOS cameras.
  • George Eastman House now has some amazing prints for sale at affordable prices. Featured photographers include Alfred Stieglitz, Lewis Hine, Julia Margaret Cameron, and Nickolas Muray.
  • My friend Derek sent me an article about some amazing music from Mauritania.
  • Arising out of Amy Stein’s new photographers who rode BMX project, comes the raddest photo of the week of Aaron Hobson and family.