WRLD: Japanese gangsters, heavy fiction, weird comics, demented prog, and even some references to photography

Hello, faithful readers. I'm sure all 2-3 of you are wondering when I was going to talk about weird things to watch and read and listen to again. Well, wonder no more. It's time for another installment of WRLD.

Watching

Nikkatsu Studios in Japan produced some of the coolest gangster films of the 60's. I noticed that Seijun Suzuki's Detective Bureau 2-3 was available streaming on Amazon, and always enjoy watching Jo Shishido in action. ***

I went back and watched Tokyo Drifter, and this film is still one of Suzuki's best. *****

Branded to Kill is Seijun Suzuki at peak weirdness. John Zorn's essay on this film for the Criterion Collection is what got me into Suzuki. Highly recommended. *****

For No Good Reason is a documentary that profiles the artist Ralph Steadman, best known for his collaborations with Hunter S. Thompson. Watching Steadman paint and draw is cool, and there is a little bit of great HST footage. The talking head style interviews are a bit dry at times, and the film is marred by crappy, invasive graphic overlays. Worth watching if you're a big fan. **

Terry Gilliam's new film The Zero Theorem was released on streaming at the same time as the theatrical release. The plot and cast sounded promising. Unfortunately, the writing is not great, and neither is the CGI. Tilda Swinton's bit part as a virtual shrink is hilarious. The look of the film is wonderful, but when that thrill wears off the story and characters just don't feel cohesive. Worth watching, but not worth buying. **

A few people have recommended the film Frank, starring Michael Fassbender as a musician who never removes his giant fake head. Planning to watch this one in the next few days.

Happy People: A Year in the Taiga is a documentary co-directed by Werner Herzog that profiles a hunting community in remote Siberia. Seeing how other cultures live can be a nice reminder that our day-to-day worries are definitely first world problems. ***

To the Wonder is Terence Malick's latest film and the only good things I can say about it are that I enjoyed the cinematography at times, and that I was really happy that Ben Affleck barely has any lines. A disappointing mess, and that's coming from a huge fan of his other films. *

Reading

Yuichi Yokoyama's Color Engineering is an amazing mix of abstract comic book narrative, paintings, drawings, and photographs. Wilder in stylistic scope than his also quite enjoyable book Garden, Color Engineering touches the abstract edges of how we comprehend and digest art and storytelling. Reading this book requires simultaneously decoding 4-5 art forms at the same time, which is very stimulating. Highly recommended. *****

Colorless Tsukuru Tazaki is Haruki Murakami's latest novel, and everyone in my book club thought it was sub-par when compared to the rest of his work. **

Gringos is a hilarious 1991 novel by Charles Portis involving a cult, some UFO freaks, and archaelogical hustlers. Highly entertaining. ****

Robert C. Jones writes ghost town books they way they oughta be. How to get there, a little bit of history, and most importantly - what kind of ruins are left to see. The Mojave Preserve is a beautiful, underrated place to explore, and Ghost Towns of the Mojave National Preserve is an excellent resource. ****

Fine Art Printing for Photographers is the third edition of Uwe Steinmuller's highly technical book on inkjet printing. If you want to make better inkjet prints, this book is an excellent resource. While I didn't know him personally, I followed Uwe's site outbackphoto.net, and was saddened to hear that he passed away last month. He will be missed. ****

Every year I try to read a big, challenging book. This year, I finally read The Recognitions by William Gaddis. A huge, complex story that centers around art forgery, The Recognitions is the literary bridge between James Joyce and Thomas Pynchon. At times difficult, erudite, hilarious, complicated, and astonishing. **** 

The Wes Anderson Collection features an essay on each of his films through Moonrise Kingdom, combined with extensive interviews, and behind the scenes photos. The supporting artwork is fun, too. The discussions about Anderson's influences and working methods are really interesting. Essential reading for fans of his work. ****

Chester Brown's review of Ant Colony nails it: "Michael DeForge is that rare sort of cartoonist, a genuine artist with a unique vision and a teeming imagination. He’s not trying to create sentimental pap for a mass audience. I love his work, but I do wonder why any sensible, profit-minded publisher would release this crazy book." ****

Someone pointed me to a 2013 Slate article on Mike Mandel's Making Good Time. Mandel covers an early 20th century industrial photography team called the Gilbreths who put pulsing lights on workers and took long exposures. The photographs were then analyzed in order to improve worker efficiency. Mandel then provides his own modern update on this style of photography. A wonderful intersection of industrial photographic history, light painting, and humor. ****

Listening

Matthew Young's 1982 album Recurring Dreams was reissued by Drag City earlier this year. Subtle, wonderful headphone listening. ****

Some how Van Der Graaf Generator's Pawn Hearts has escaped me all of these years. Wow. This album hurts my head, but tickles a little bit at the same time. ***

Doing

I'll have some news soon on an exciting new commercial photography project. Until then, you can always follow the latest photos, news, and antics on FacebookTwitter, or G+.

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